SARAI STEVENS
Older Works

Papercuts

I began papercutting after discovering that the pressure required to guide an X-Acto knife quieted the tremors in my hands. The blade allowed me to draw with absence, creating clear, flowing lines by removing rather than adding material.

Over time, the practice became a way of exploring the fractal nature of existence—the recurring patterns that connect thought, behavior, relationships, ecosystems, and the physical world. Each cut reveals not only what is present, but also the significance of what has been removed. In this way, papercutting becomes both meditation and inquiry: a process of uncovering hidden connections and tracing the intricate, wholistic patterns that bind the visible and invisible aspects of life.

Cave Dweller
Cave Dweller, Charcoal, acrylic paint, colored pencil, 2009
Parachute
Parachute, Cut paper, 2009
Disorientation
Disorientation, Cut paper, charcoal, pastel, acrylic medium, 2010
In the Seed of Destruction is Salvation
In the Seed of Destruction is Salvation, Cut paper, pastel, watercolor, 2009
Slip Stream
Slip Stream, Cut paper, pastel, 2010
Play Me a New Song
Play Me a New Song, Cut mulberry paper, 2011
Please Stay, You Are Not Alone
Please Stay, You Are Not Alone, Cut paper, watercolor, acrylic paint, 2010
Storm Cloud
Storm Cloud, Cut mulberry paper, 2011